Love & Logistics – on Michael Mann’s Miami Vice (2006)

Phil Pearson 30/10/2024 Phil Pearson 30/10/2024

Love & Logistics – on Michael Mann’s Miami Vice (2006)

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Cop Pacino – on Christopher Nolan’s "Insomnia" (2002)

Phil Pearson 12/10/2023 Phil Pearson 12/10/2023

Cop Pacino – on Christopher Nolan’s "Insomnia" (2002)

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Aesthetic near-perfection – on Alan J. Pakula’s “The Parallax View” (1974)

Phil Pearson 18/12/2022 Phil Pearson 18/12/2022

Aesthetic near-perfection – on Alan J. Pakula’s “The Parallax View” (1974)

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Impeccable taste – on the Coens’ “True Grit” (2010)

Phil Pearson 21/06/2022 Phil Pearson 21/06/2022

Impeccable taste – on the Coens’ “True Grit” (2010)

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Angela Bassett’s cheekbones – on Kathryn Bigelow’s “Strange Days” (1995)

Phil Pearson 17/01/2022 Phil Pearson 17/01/2022

Angela Bassett’s cheekbones – on Kathryn Bigelow’s “Strange Days” (1995)

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True Blood, eat your heart out – on Kathryn Bigelow’s “Near Dark” (1987)

Phil Pearson 21/09/2021 Phil Pearson 21/09/2021

True Blood, eat your heart out – on Kathryn Bigelow’s “Near Dark” (1987)

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Kubrick 1, Coppola 0 – on Stanley Kubrick’s “Dr. Strangelove” (1964)

Phil Pearson 20/03/2021 Phil Pearson 20/03/2021

Kubrick 1, Coppola 0 – on Stanley Kubrick’s “Dr. Strangelove” (1964)

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Nothing is accidental – on Stanley Kubrick’s “Eyes Wide Shut” (1999)

Phil Pearson 18/03/2021 Phil Pearson 18/03/2021

Nothing is accidental – on Stanley Kubrick’s “Eyes Wide Shut” (1999)

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An auteur’s reach meets his horrifying ambition – on Kinji Fukasaku’s “Day of Resurrection” (1980)

Phil Pearson 17/02/2021 Phil Pearson 17/02/2021

An auteur’s reach meets his horrifying ambition – on Kinji Fukasaku’s “Day of Resurrection” (1980)

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Cause & effect, setup & payoff – on James Cameron’s “Aliens” (1986)

Phil Pearson 08/02/2021 Phil Pearson 08/02/2021

Cause & effect, setup & payoff – on James Cameron’s “Aliens” (1986)

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Unexpectedly influential – on Richard C. Sarafian’s “Vanishing Point” (1971)

Phil Pearson 04/02/2021 Phil Pearson 04/02/2021

Unexpectedly influential – on Richard C. Sarafian’s “Vanishing Point” (1971)

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Not the birth of the new world, but the death of the old – on Martin Scorsese’s “Gangs of New York” (2002)

Phil Pearson 04/02/2021 Phil Pearson 04/02/2021

Not the birth of the new world, but the death of the old – on Martin Scorsese’s “Gangs of New York” (2002)

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Scapegoat – on Steven Soderbergh’s “Out of Sight” (1998)

Phil Pearson 02/02/2021 Phil Pearson 02/02/2021

Scapegoat – on Steven Soderbergh’s “Out of Sight” (1998)

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Bromance & gunplay – on John Woo’s “A Better Tomorrow” (1986)

Phil Pearson 02/02/2021 Phil Pearson 02/02/2021

Bromance & gunplay – on John Woo’s “A Better Tomorrow” (1986)

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